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Bright Dead Things: Poems, by Ada Limón
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Finalist for the National Book Award and National Book Critics Circle Award A Best Poetry Book of 2015: New York Times and Buzzfeed Bright Dead Things examines the chaos that is life, the dangerous thrill of living in a world you know you have to leave one day, and the search to find something that is ultimately “disorderly, and marvelous, and ours.”A book of bravado and introspection, of 21st century feminist swagger and harrowing terror and loss, this fourth collection considers how we build our identities out of place and human contact—tracing in intimate detail the various ways the speaker’s sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth, and falls in love. Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.
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Product details
Paperback: 128 pages
Publisher: Milkweed Editions (September 15, 2015)
Language: English
ISBN-10: 1571314717
ISBN-13: 978-1571314710
Product Dimensions:
5.5 x 0.5 x 8.4 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
53 customer reviews
Amazon Best Sellers Rank:
#43,549 in Books (See Top 100 in Books)
I first read Limon’s poem How To Triumph Like a Girl in a magazine called The Sun—a weird little creative writing periodical that was sent to my home probably by accident, and in which I connected with very little until I stumbled upon Limon’s masterpiece. If you haven’t read it, you need to. The poem, not The Sun. God, not The Sun. The poem had an emphasis on woman-power, but as a man I felt equally inspired and in awe of human strength and self-belief.I read a lot of poetry, but this little beauty stopped my world's rotation for a few minutes. So simple and profound. I nibbled on it for days like a sustaining trail mix in a hostile jungle. Poetry as condensed, creative, and courageous words are important to those of us who feel like we don’t have enough genius or time to catch all the ideas and feelings that run like water through unconscious fingers.Wait a minute. That was genius. I want to thank my family, my editor, the Academy, and any one of the gods of the top ten religions.So, I bought the book. Many of the poems in this book delivered the same seismic wallop as “How To Triumph...†Limon is great at appreciating life while complaining about the sucky stuff in a way that doesn’t completely coagulate into mere bitchiness. It’s crude enough to be authentic, but even when it gets a little weird (e.g., squatting to pee in the poem “Serviceâ€), it feels like it was about time for someone to piss on the rules. (Pardon the phun…I did mention I’m a certified genius, write?)I loved Limon’s criticism of the evasiveness and self-loathing of many constricting forms of religious belief. Life is inscrutable but beautiful, and life lived with open-eyed hopefulness—“the sweet continuance of birth and flight in a place so utterly reckless…How masterful and mad is hopeâ€â€”is infinitely preferable to adopting a traditional faith by which one can pretend to “fix their problems with prayer and property.â€The benefits of her humanistic/naturalistic/agnostic life include:“…[a] new way of living with the world inside of us so we cannot lose it, and we cannot be lost.â€â€œâ€¦nesting my head in the blood of my body…I relied on a Miracle Fish, once…that was before I knew it was by my body’s water that moved it, that the massive ocean inside me was what made fish swim.â€The coup de grace to fundamentalist religion arrives in a description about a time in her life when she tried believing in prayer as tradition suggests, but she couldn’t make it work.“There was a sign and it said, This earth is blessed. Do not play in it. But I swear I will play on this blessed earth until I die.â€Sounds like a good idea.The play part. Not the die part.
Wonderful Collection! Ada Limon has a way of telling stories in a sometimes surrealistic manner, combining images and metaphor in a way that the entirety of the meaning comes through almost unconsciously in many poems. That can be disconcerting to some readers I think. Other poems are much more straight narrative poems. Wonderful stuff. I particularly loved the 'title' story - "I Remember the Carrots" and the opening poem of course "How to Triumph Like a Girl" and "Service" had me rolling on the floor! (semi-pun intended). Other favorites are "Someplace Like Montana" (which inspired my own poem - New Yorkers :) I love it when that happens!), "In the Country of Resurrection", "The Wild Divine" - an incredible invocation of first sex!, "The Good Fight!" surreal, the incredible "Oh Please, Let it be Lightning" wow!, "The Whale & the Waltz Inside of It" with it's killer final couplet, "Outside Oklahoma, We See Boston" about hope! It's always about Hope!Wonderful Poet, Wonderful Collection, perhaps her best yet! Enjoy!
This is some of the most fantastic contemporary poetry I've read. Ms Limon delivers exceptional and brilliant verses. It is a collage of emotions and experience, threaded with beautiful refrains/symbols. Couldn't put it down! I think The Rewilding and The Quiet Machine are standouts, but I'll be rereading Bright Dead Things again and again.
I really enjoyed this book, and it left me wanting to read more of Limón’s work. Personally, my favorite poems in Bright Dead Things, were the ones based on love. Ada Limón does not describe love from a shallow point of view; she’s not one to fawn over her lover’s physical perfections, nor does she write poems that echo “we will be in love forever.†Limón acknowledges that two people’s love doesn't need to last forever for it to have had meaning. A good portrayal of this is “Glow,†a poem in which the speaker is unsure if she’s ever been in love, but sees that men have been very good to her, and have wanted to love her. “Have been so warm in their wanting / that sometimes I wanted to love them, too. / And I think that must be worth something†(24-26). When reflecting on her work, I can honestly say that there wasn’t really anything that I disliked in Limón’s writing. At times I found myself having to read lines more carefully to better understand, but that has more to do with me than with Limón’s work. She has some reoccurring themes, mostly relating to death, religion, nature, love, moving far away, and being a woman. One poem in particular, “The Last Move,†reminded me of Adrienne Rich’s poem “Snapshots of a Daughter-in-Law.†Limón’s poem features a narrator who regrets moving from New York City to Kentucky with her boyfriend. She has been playing the housewife role, complete with cooking and cleaning, but it has become clear that this isn't for her. Limón writes, “before I trusted / the paralyzing tranquilizer of love stuck / in the flesh of my neck†(13-15). Similarly Rich’s poem relates to the rejection of that similar role, with lines that describes love as being more of a restraint; “pinned down / by love, for you the only natural action.†Overall, Limón’s book is a work of art, with a broad range of themes that will likely have many readers stopping to underline the pieces they relate to.
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