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How Novels Work By John Mullan
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From Publishers Weekly
Based on Mullan's weekly "Elements of Fiction" column from UK's The Guardian, this volume intelligently dismantles a hefty stack of beloved novels to find out what makes them tick. Mullan is interested in fiction that most resonates with contemporary audiences-the books that readers remember and are eager to share and discuss-and, consequently, a number of book-club favorites turn up here, including Jane Smiley's A Thousand Acres, Jonathan Franzen's The Corrections and Mark Haddon's The Curious Incident of the Dog in the Nightime. Moving with critical dexterity from Martin Amis to Richard Yates to Virginia Woolf to a small library of other well-known authors, Mullan's methods-which are, in effect, to claw at the ineffable qualities of modern-day classics until some concrete observations emerge-are consistently readable and relevant, illuminating well each chapter's topic (Genre, Voices, Structure, Detail and Style among them). Although Mullan notes in the introduction that he revised, rearranged, and rewrote the columns extensively, the book retains-to its benefit-a serial, journalistic feel, moving the ambitious project from topic to topic and book to book at a pace that allows for real mechanical investigation but bars stalling.
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Review
Review from previous edition
"Expanding on his popular Guardian column, and focusing on a set of key novels, How Novels Work [mullan] aims to explain to the interested 'non-academic' reader critical approaches, particularly 'matters of form', which are normally considered the perserve of academia...the text is rich in critical and literary-historical insights...critical readings which...[are], above all, communicated in plain English."--Beth Lynch, Times Literary Supplement
About the Author
John Mullan is Professor of English at University College London. He is the author of Sentiment and Sociability: The Language of Feeling in the Eighteenth Century and co-editor of Eighteenth-Century Popular Culture: An Anthology. A broadcaster and journalist as well as an academic, he writes a weekly column on contemporary fiction for the Guardian.
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